Neil Young: Harvest [Record 52]
Harvest: is the fourth album by the Canadian musician Neil Young, released on February 14, 1972 on Reprise Records, catalogue MS 2032. It featured the London Symphony Orchestra on two tracks and vocals by the noted guests David Crosby, Graham Nash, Linda Ronstadt, Stephen Stills, and James Taylor. It topped the Billboard 200 album chart for two weeks, and spawned two hit singles, “Old Man”, which peaked at #31 on the Billboard Hot 100, and “Heart of Gold”, which reached #1. It was the best-selling album of 1972 in the United States.
1. Out on the Weekend.
3. A Man Needs a Maid.
4. Heart of Gold.
5. Are You Ready for the Country?.
1. Old Man.
2. There’s a World.
4. The Needle and the Damage Done.
5. Words (Between the Lines of Age).
Content: After Neil Young left Crosby, Stills, Nash & Young, he recruited a group of country session musicians (which he christened The Stray Gators) and recorded a country rock record, Harvest. The record was a massive hit, producing a US number one single in “Heart of Gold”. Other songs returned to some usual Young themes: “Alabama” was “an unblushing rehash of ‘Southern Man’”; and “The Needle and the Damage Done” was a lament for great artists who had died of heroin addiction. The album’s success caught Young off guard and his first instinct was to back away from stardom. He would later write that the record “put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there.”
“Words (Between the Lines of Age)”, the last song on the album, featured a lengthy guitar workout with the band. It has a typical Neil Young structure consisting of four chords during the multiple improvised solos. The song is notable for alternating between a standard 4/4 time signature for verses and choruses and an unusual 11(3+3+3+2)/8 for interludes.
According to the Neil Young Archives, the actual release date for Harvest was February 25, 1972.
Recording: “The Needle and the Damage Done” was taken from a live performance at UCLA on 30 January.
The recording of the remainder of Harvest was notable for the spontaneous and serendipitous way it came together. The story is told in an article in Acoustic Guitar Magazine, which includes interviews with the producer, Elliot Mazer, among others.
Young arrived in Nashville in early February 1971 to perform on a broadcast of Johnny Cash Show where Linda Ronstadt and James Taylor would also appear. Mazer had opened Quadrafonic Sound Studios in Nashville, and invited Young to dinner (or breakfast according to another Mazer interview) on Saturday, February 6, to convince him to record his next project at the studio. Neil admired the work of the local studio musicians known as Area Code 615 who had recorded there and was interested. Young had been working on new songs that he had been performing on the road, as seen by the repertoire on Live at Massey Hall 1971, and told Mazer that all he needed was a bassist, drummer, and pedal steel guitarist. Young made the decision to start recording that very evening.
Since many of the Area Code 615 musicians were working on a Saturday night, Mazer scrambled to find drummer Kenny Buttrey, bassist Tim Drummond (who was just walking down the street), and steel-guitarist Ben Keith. That night, they laid down the basic tracks for “Old Man”, “Bad Fog of Loneliness”, which remained unreleased on compact disc until Live at Massey Hall 1971 in 2007 (though it was included on Young’s live “Red Rocks” DVD released in the year 2000), and “Dance Dance Dance” which was also left off the album but showed up that year on the debut Crazy Horse album.
According to liner notes in Archives Volume 1, “Heart of Gold” was only recorded on Monday 8 February with the same basic line-up as the 6 February session. However, it has been reported that after taping the Johnny Cash Show on the evening of Sunday 7 February, Young invited Ronstadt and Taylor to come back to the studio with him. The three sat on a couch and recorded the background vocals for “Heart of Gold” and “Old Man.” Taylor picked up Young’s Banjo guitar (a six-string banjo tuned like a guitar) and overdubbed a part for the latter song.
“A Man Needs a Maid” and “There’s a World” were recorded by Nitzsche with the London Symphony Orchestra in early March in the wake of Young’s appearance on the BBC and concert at the Royal Festival Hall in London.
“Out on the Weekend”, “Harvest” and “Journey Through the Past”, along with overdubs by the session musicians James McMahon (piano on “Old Man”) and John Harris (piano on “Harvest”), and Teddy Irwin (second acoustic guitar on “Heart of Gold”), were recorded in later sessions in April. A solo piano recording of “Journey Through the Past” from Young’s winter 1973 tour was released on Time Fades Away.
The electric-based songs were recorded in a barn at Young’s ranch in California in September, where the master takes were recorded at the end of the month. Using a remote recording system, Mazer set up PA speakers in the barn for monitors rather than have the players wear headphones. This resulted in a lot of “leakage” as microphone picked up sound from other instruments, but Young and Mazer liked the sound. “Are You Ready for the Country”, “Alabama”, and “Words” were recorded in these sessions with Buttrey, Drummond, Keith, along with Jack Nitzsche on piano and lap steel. Young named this band, which would accompany him on his tour in the winter of 1973, The Stray Gators.
Background vocals by Crosby, Stills & Nash were later recorded by Mazer in New York.
Mixing was done both at Quadrafonic and at Young’s house. During playback at the ranch, Mazer ran the left channel into the PA speakers still in the barn and the right channel into speakers in the house. With Crosby and Nash beside him Young sat outside listening to the mix. When asked about the stereo balance, he called out, “More barn.”
According to a Rolling Stone interview, Young had wanted the album sleeve to biodegrade after the shrink-wrap was broken, but was overruled by the record company on the basis of expense and the possible product loss due to shipping accidents.. Mo Ostin mentioned Young’s request at the 22nd annual ASCAP pop music awards
Reception: Despite the album’s strong sales, assessments by critics were not overwhelmingly favorable at the time. A negative review was published in Rolling Stone, where John Mendelsohn called the album a disappointing retread of earlier, superior efforts by Young, writing of “the discomfortingly unmistakable resemblance of nearly every song on this album to an earlier Young composition — it’s as if he just added a steel guitar and new words to After The Gold Rush.” A review in The Montreal Gazette gave the album a mixed verdict, calling it “embarrassing” in places but interesting lyrically, and singling out “Are You Ready for the Country?” as the record’s best cut. More recent evaluations of the album have been far more positive: in 1998, Q magazine readers voted Harvest the 64th greatest album of all time. In 1996, 2000 and 2005, Chart polled readers to determine the 50 greatest Canadian albums of all time — Harvest placed second in all three polls, losing the top spot to Joni Mitchell’s Blue in 2000, and to Sloan’s Twice Removed in the other two years. In 2003, a full three decades removed from its original harsh assessment, Rolling Stone named Harvest the 78th greatest album of all time. In 2007, Harvest was named the #1 Canadian Album of All Time by Bob Mersereau in his book The Top 100 Canadian Albums.
Reissues: On October 15, 2002 Harvest was digitally remixed and remastered for the DVD-Audio format. The new 5.1 mix was a minor subject of controversy due to its unconventional panning, with the vocals in the centre of the room and the drums in the rear speakers. Harvest was remastered and released on HDCD-encoded CD and digital download on July 14, 2009 as part of the Neil Young Archives Original Release Series. A 180-gram remastered vinyl edition was released on December 1, 2009 along with remastered vinyl editions of Young’s first four albums. It is also available separately.