The Doors: L.A. Woman – [Record 84]

The Doors: L.A. Woman.

L.A. Woman is the sixth studio album by The Doors, and the last recorded with lead singer Jim Morrison, who died in July 1971, less than 3 months after the album’s release. Its style signified a return to blues, following in the footsteps of Morrison Hotel.

L.A. Woman has remained one of the band’s most pivotal and popular albums. It allowed Jim Morrison to express his ‘old blues man’ personality as it gave him the freedom to sing the blues music that he was influenced by as a child, including musicians such as Howlin’ Wolf and John Lee Hooker. It has sold over 14.5 million copies.

Side One.
1. The Changeling.
2. Love Her Madly.
3. Been Down So Long.
4. Cars Hiss by My Window.
5. L.A. Woman.

Side Two.
6. L’America.
7. Hyacinth House.
8. Crawling King Snake (Anon arr John Lee Hooker.
9. The WASP (Texas Radio and the Big Beat).
10. Riders on the Storm.

The Wiki.

Production: Following the departure of their record producer Paul A. Rothchild (who, contrary to popular myth, loved “Riders on the Storm” but dismissed the group’s differing style on “Love Her Madly” as “cocktail music”) around November 1970, the band fell in to a state of depression and Jim Morrison was obviously bored with Sunset Sound, the studio in which their first two albums were recorded. The song “The Changeling” was a tribute to James Brown.

Bruce Botnick, their engineer, suggested they record at the Doors’ workshop. He and the band began production on the album at The Doors Workshop in Los Angeles. Most of the tracks were recorded live, except for a few overdubbed keyboard parts by Ray Manzarek. Morrison recorded his singing in the studio’s bathroom to get a fuller sound. Elvis Presley’s bass player Jerry Scheff was brought in to play bass on the album, and rhythm guitarist Marc Benno was brought in so that Robbie Krieger could focus on playing lead guitar during live takes.

Botnick later produced and mixed a new 5.1 Surround version of the album, which was released on DVD-Audio on December 19, 2000. It was produced from the original eight-track analog 1″ master tapes.

Early LP editions of the album were uniquely packaged: the album’s cover was die-cut to remove a near-rectangular piece of it, with a sheet of transparent plastic on which the cover photo of the Doors was printed, glued in place in its stead. Later pressings featured a conventional cover without the die-cut hole and plastic window, and with the group photo printed on the cover itself.

Release and reception: The Doors embarked on a tour before completing the album, although it would only comprise two dates. The first was held in Dallas, Texas on December 11, 1970 and reportedly went well. The second performance took place at The Warehouse in New Orleans, Louisiana, on December 12, where Morrison apparently had a breakdown on stage. Midway through the set he slammed the microphone numerous times into the stage floor until the platform beneath was destroyed, then sat down and refused to perform for the remainder of the show.

John Densmore recalls the incident in his biography Riders on the Storm, where after the show he met with Manzarek and Krieger; they decided to end their live act, citing their mutual agreement that Morrison was ready to retire from performing. By the time the album was released in April 1971, Morrison had moved to Paris, France, where he died three months later, on July 3, 1971.

In 2003, L.A. Woman was ranked #364 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

Inner Sleeve.

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